Portfolio 2025




Photography Feature & Interview in The Wave, Kelp Journal • March 3, 2025
Two Photos in The Sunlight Press • Photography Week, May 8, 2025
Portfolio 2024



Cover Art
Peninsula Arts Magazine • March 2024, Issue 2 • Autumn in Michigan
Cover: “A Place to Watch the Rain” and 2 photos: “Golden Hour Geese” and “Long Shadows“
Portfolio 2023



Cover Art
Seaside Gothic 🇬🇧 • July 2023, Issue 7 • Coastal Blur
Front Cover “Pea Soup” and Back Cover “Crow Bar”
and 4 photos: “Morning Paddle” | “Gull Rafts” | “Beach Drive” | “A Grace of Orcas“
Photos
“Portal” • About Place Journal • Spring/Summer 2023 • On Rivers Issue
Portfolio 2022





Cover Art
“Patchwork Moonlight” • 3Elements Review • May 2022 • Issue 34
Photos
The Martello 🇮🇪 • Issue 4, Sanctuary
“Guardian” (page 32) and “Escape” (page 77)
Past Ten • July 15, 2022
“Barn Near Vegreville Alberta” + 2 Photos
“Clover Point Seawall” • Scrawl Place • April 2022
Reservoir Road Literary Journal • March 2022 • Issue 7
“Catalina” and “Cotton Fields” (2 photos)
“This Day Rises” • Hope Rage Sunflowers Poems for Peace Anthology • March 2022
Fundraiser for Ukraine Humanitarian Aid.
Portfolio 2021




Cover Art
“Waiting for Paella” • Pithead Chapel • October 2021 • Volume 10, Issue 10
“Tracks” • The Bitchin’ Kitsch • January 2021 • Volume 12, Issue 1
🌟 Best of the Net Nomination
Collections
“In, Through & Out” • Near Window 🇫🇷 • December 2021 • Edition 3, Unlatched
Acropolis Journal 🇬🇧 • November 2021 • Issue 2
3 Photos: “Holding Up the Barn” | “Waxing Sturgeon Moon” | “Prayer Radar“
The Minison Project • September 2021 • Issue 13
4 Photos: “Oyster Time” | “Tattoo Parlor” | “You Are Here” | “Minison Parking Only“
Royal Rose Magazine • January 2021 • Issue 5 • Signs, Stars, and Wonders
3 Photos: “Ivy Astrology Books” | “Zodiac Pendants” | “Ephemeris“
Photos
“Miss Julia Tells Your Future” (Print) • Stanchion • December 2021 • Issue 6
“Twilight Bridge” • Understorey 🇨🇦 • October 2021 • Rural and Remote Living Issue
“Barn” • CutBank • October 2021
“Lucid Dreaming with You” • Invisible City • University of San Francisco • September 2021 • Issue 3
“Another Life in Chania” • Acropolis Journal 🇬🇧 • August 2021 • Issue 1
“A Modern Stonehenge” • The Minison Project • August 2021 • Issue 12
“Storm Light” • The Sunlight Press • April 2021
“Abandoned” (page 21) • The Bitchin’ Kitsch • April 2021 • Volume 12, Issue 2
“Drinking Tea Before the Race” • 433 Magazine • February 2021
“Dragonfly” • Royal City Literary Arts Society 🇨🇦 • Wordplay at Work • February 2021
Portfolio 2020



Cover Art
“Always Remember This” • Nightingale & Sparrow • February 2020 • Issue 5, Love
Collections
Parentheses Journal 🇨🇦 • November 2020 • Issue 10
“Enchantment” | “Spirit” | “Rise” | “Porto” (4 Photos)
Barren Magazine • 2020 • Issue 13, In Solitary Light
“Did You Get My Letter” (19 Photos)
Nightingale & Sparrow • February 2020 • Issue 5, Love
“Writing You a Letter” | “Affection” | “Kindness” | “Blossoming” | “Mysterious” | “Firenze” | “Everywhere I Go” | “Confession” | “Adoration” (9 Photos)
Photos
“Autumn at Medicine Lake” • From Whispers to Roars • 2020 Special Issue: Wildfire
All images (c) Karin Hedetniemi.
A few notes on copyright, as provided by the Canadian Association of Professional Image Creators (CAPIC):
All Canadian creators of original work automatically hold the copyright on their original works. This includes Canadian photographers, illustrators, musicians, painters, and writers.
The term “Copyright” literally means the right to reproduce. It includes all forms of reproduction, publication, public display and other uses. Written authorization by the creator is required for any use.
All creators of original works hold moral rights with regards to their work. Moral rights include:
• The right to associate his/her name with his/her work (mention);
• The right to the integrity of one’s work – without the work being cropped, cut, excessively trimmed or altered.
Moral rights cannot be sold or transferred.